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this is a tumblr-style place for me to spit out quick/random images, text bleats, audio pieces or other materials.
 
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latest bookmarks (delicious)

'The Angel Esmeralda: Nine Stories' by Don DeLillo
Book review - Los Angeles Times

Seitan Chorizo Recipe

10 Stories Of 2011 That Didn't Suck: A SportsFeat List

Some New Directions | The Awl
The Awl on contemporary avant-garde literature.

Experimental Conversations — Articles — Sidney Lumet: Experimental Filmmaker?

 
latest shared (greader) Are All Fake Field Goals And Fake Punts Useless? [Video]

Debt Ceiling Deal: The Democrats Take a Dive

Have computers taken away our power? | Television & radio | The Guardian

Exclusive: The First Lines of David Foster Wallace’s The Pale King

The Messy History Of Charlie Sheen's "Winning" Ring [Crime]

Woody Allen's Recession Monopoly Game

Petulia: Julie Christie & the Grateful Dead star in the great lost film of the ‘Summer of Love’

The Public School Berlin

Eating a Bhut Jolokia

In Which You Begin To Grasp His Unique Pain

filmbrain: Jean-Luc Godard’s 1995 letter to the NYFCC....

LeBron Watch, Day 50: What ESPN Should Have Asked LeBron James [LeBron James]

Cavs Owner Channels Crazy Person: "Some People Think They Should Go To Heaven But NOT Have To Die To Get There" [Free Fucking Agency]

Keyboard Drum Demonstration


There is nothing less passive than the act of fleeing…

Why Has England Been So Bad?

David Foster Wallace on iPhone 4's FaceTime

Outrage revisited: Milton Keynes

How do you pronounce Zooey?

Recent Acquisitions

20 July
GODARD BLOG
Attempting to watch all of Godard's films, in order, starting today with 'À bout de souffle'.

Thoughts:
Getting an 11-DVD Godard box set for €9.99 has reinvigorated my plan to watch Godard's completely filmography (well, at least all of the features) in chronological order, which means starting with this one. This is the first time I've ever seen this in widescreen and the difference is astounding, as I previously though this wasn't something I'd ever be able to sit through again. It's hard to say something poignant here about one of the few films that truly changed the history of cinema forever. Though the first and third acts are the really explosive freewheeling parts that set the world on fire, I really clicked with the second act, particularly the long scene in Seberg's room. In addition to the technical innovation and the European recombination of film noir/gangster/arthouse elements, À bout de souffle really makes Seberg's character the soul of the film, which isn't so obvious behind Belmondo's clowning around. Writing a meaningful review here is like writing a review of DaVinci's Last Supper or something, so I'll just say that I was really into this, a thousand times more than when I first saw it in college on VHS - whether my new appreciation is due to maturity, my deeper interest in film today vs. then, or the superiority of seeing a film in its proper aspect ratio I'm not sure - perhaps a combination of all three.


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